If religion generated everything that is essential in society, this is because the idea of society is the soul of religion.' In The Elementary Forms of Religious Life (1912), Émile Durkheim set himself the task of discovering the enduring source of human social identity. He investigated what he considered to be the simplest form of documented religion - totemism among the Abori...(展开全部)

"Karen Fields has given us a splendid new translation of the greatest work of sociology ever written, one we will not be embarrassed to assign to our students. In addition she has written a brilliant and profound introduction. The publication of this translation is an occasion for general celebration, for a veritable 'collective effervescence.' -- Robert N. Bellah "Co-author of...(展开全部)

In this beautiful meditation on the history of art and the problem of style, Henri Focillon (1881-1943) describes how art forms change over time. Although he argues that the development of art is reducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous and organic artistic creation within the shifting ...(展开全部)

In this beautiful meditation on the history of art and the problem of style, Henri Focillon (1881-1943) describes how art forms change over time. Although he argues that the development of art is reducible to external political, social, or economic determinants, one of his great achievements was to lodge a concept of autonomous and organic artistic creation within the shifting ...(展开全部)

The question of what Wittgenstein meant by 'forms of life' has attracted a great deal of attention in the literature, yet it is an expression that Wittgenstein himself employs on only a relatively small number of occasions, and that he does not explicitly define. This Element gives a description of this concept that also explains Wittgenstein's reluctance to say much about it. ...(展开全部)

The question of what Wittgenstein meant by 'forms of life' has attracted a great deal of attention in the literature, yet it is an expression that Wittgenstein himself employs on only a relatively small number of occasions, and that he does not explicitly define. This Element gives a description of this concept that also explains Wittgenstein's reluctance to say much about it. ...(展开全部)

Written by a team of internationally renowned scholars, this volume provides an in-depth introduction to religion in contemporary China. Instead of adopting the traditional focus on pre-modern religious history and doctrinal traditions, Chinese Religious Life examines the social dimensions of religious life, with essays devoted to religion in urban, rural, and ethnic minority s...(展开全部)

Eugenie Brinkema is Assistant Professor of Contemporary Literature and Media at the Massachusetts Institute of Technology.

What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the f...(展开全部)

This popular and influential work, translated here into English for the first time, argues that modern urbanism has upset the morphology of cities, abolished their streets and isolated their buildings. In tracing the stages of this transformation, this book presents the view that the urban tissue, the intermediate scale between the architecture of buildings and the diagrammatic...(展开全部)